Back at the hall of the Elau King, Thane addresses his men, and all of those capable of fighting against the encroaching army, an enemy now recognised as mere mortal men. Defensive positions are assembled, and a rallying war song begins amongst the ranks. In the distance, a dark shape snakes down the hills.
lyrics
Stan, Ethelstan, are you ready? Bring your shields now!
You'll take the stakes and hold the left wing
Cedric, Oswiu, are you ready? Bring your shields now!
You'll take the stakes and hold the right wing
This is a wall and no one passes the wall!
This is a wall and no one passes the wall!
This is a day of great omens, light breezes and rain
stroking our cheeks like a maid's sweet eyelash
Black battle corpse in the field, wakes us up from that
daydreaming about Saxon whoring
This is a wall and no one passes it!
Our lives flash before us guarding it!
Come, let us fight, I am ready...to defend my girl
and the seeds of me in her womb
if this is the day, it is perfect...i might die for her
but I'd rather make them die for their girls!
This is a wall and no one crosses the wall!
This is Aengland, no one crosses the wall!
( The battle ensues and many men fall, Thane killing several of the shadow men. Eventually the enemy flee. Some are too injured to run and are to be executed. Barton, the youngest warrior, is given the job. Thane, who has sustained a deep cut in his torso, is taken into his quarters and watched over by his wife and two sons )
supported by 6 fans who also own “The Wall Part I”
This has been staple listening for me since I first got the CD in 2006. Raw but not to the extent that it is unlistenable, the riffs are heavy and memorable, with each song having it's own identity.
Wartooth's vocals are certainly a highlight of Bretwaldas' sound. Rough and gritty, in the best way, as he snarls out lyrics about Dark Ages warriors, heathenism and nature. If you can imagine if Lemmy was a Brummie and sang on an early Black Sabbath album then you're getting somewhere near the sound of this Midlands duo.
This album is class from beginning to end but if I was to have to choose highlights I'd go for album opener The Haunted Ride, Iron Skies (a song of two gloriously different halves) and Beneath the Eaves. The latter appeared on a CD with Zero Tolerance magazine way back and was the undisputed stand out track on there. Grimslath